Architecture Projects
Private Residence
Space Atelier
Sydney Opera House - Renewal
ARM Architecture
‘Villa Villekulla’
Virginia Kerridge Architects
Das Montforthaus - Austria
Hascher Jehle + Mitiska Wäger
Blacktown Exercise Sports & Technology Hub
ARM Architecture

Private Chalet - Lech, Austria
Hein Architekture
81 Foveaux Street
SJB Architecture
’Pointe’ Apartments
Luigi Rosselli
Parliament NSW - Restoration
Tonkin Zulaikha Greer Architects

Allianz Stadium Fit-Out
Space Furniture Commercial

Eastern Creek Speedway
Cox Architecture
Parramatta Town Hall Restoration
TKD Architects & Design Inc.

Judith Nielson Institute
Tzannes Architects

333 George Street, Sydney
Grimshaw Architects
Central Station, Sydney
John McAslan/Woods Bagot
The University of Innsbruck
Henke Schreieck Architekten

Sydney University School of Engineering
Cox Architecture

Marienberg Schule, Bregenz
Fink-Thunher Architekten
Kincoppal School
BVN Architects

270 Pitt St, Sydney
Property Marketing
ISPT & Cox Architecture

The Eastbourne
Property Marketing
Cornwall Design, Melbourne

Heathcote Hall -
Property Marketing
Colliers & Enigma Communications

The Exchange
Kengo Kuma and Associates

The Phoenix Gallery
John Wardle Architects & DBJ

NSW Rugby Union Headquarters
Cox Architecture

Long Reef Surf Life Saving Club
Adriano Pupilli Architects
Chatswood Interchange
Cox Architecture

‘York & George’
John Wardle Architects
Private Residence
MCK Architects
The Opera Residences
Tzannes Architects

Vanquish by Solaire
Joe Adsett Architects

142 Victoria Road, Gladesville
SJB Architects

BMW & Mini Showroom
SJB Architecture

Wonderland - Central Park
FJMT Architecture

477 Pitt St, Sydney
Wardle Studio

Govett’s Leap Lookout
Landscape Design
Clouston Associates
Hilltops Library, Young, NSW
Hayball Architecture
The Yallamundi Rooms
Sydney Opera House
Tonkin Zulaikha Greer Architects

Private Residence
Space Furniture

Western Sydney University
Tzannes Architects

Private Residence, Belingen
Cox Architecture
Central Station and Sydney Ocean Terminal
Wayfinding
Büro North Design Practice

44 Martin Place
Property Marketing
Extra Black Design, Sydney
Sydney Catholic Schools
ARM Architecture
Barker College Maths and Student Hub
Architectus

One Sydney Harbour
Space Atelier
‘Royale’ - Gold Coast
Property Marketing
The Property Agency

Monte Sant Angelo Mercy College
Hayball Architecture

25h The Olympia
Tonkin Zulaikha Greer Architects

The Giraffe House + Savanah Walk, Taronga Zoo
Tonkin Zulaikha Greer Architects

Inner Sydney High School
FJMT Architecture

Dom Remy College
Hayball Architecture
The Arc
Koichi Takada Architects

Contemplation House
Virginia Kerridge Architects
Bus Stops Project
Vorarlberg Architecture Institute
Islamic Cemetary - Hohenems
Bernado Bader Architekten

Aura Apartments, North Sydney
Space Atelier

‘Matapos’ Private Residence
Atelier Andy Carson

Schanerlochbrücke, Ebnit, Austria
Marte Marte Architekten

The Garden House Melbourne
Property Marketing
Cornwall Design, Melbourne

Escarpment House
Virginia Kerridge Architects

Musikschule am Hofsteig, Wolfurt
Fink-Thurnher Architekten

Private Penthouse, Sydney
Koichi Takada Architects
The Ken Rosewall Arena
Cox Architecture
‘Ralston’ South Yarra
Property Marketing
Savi Design, Melbourne
Selected Works
The Phoenix Music Hall Cover Feature
The Phoenix GalleryFeature Article
Arc Building Cover Feature

Nature Baths Travel Feature

Alpine BivouackingAdventure Editorial
Jungfrau Joch
Travel Editorial
Alpine BallooningAdventure Editorial
FC LiechtensteinFeature Article
Jura Mountains Adventure Editorial
On the River
Travel Feature
Zürich WestFeature Article
Schnapps Hiking
Travel Feature
The Architects Portrait Series


The Actors Portraits
The Musicians
Portraits
The Individualists
Portraits
The Designers
Portraits
The Princes, Politicians & Power Brokers
Portraits
‘Bloodlines’ - Art and The Horse
Exhibition
‘Regarding Retro’
Exhibition

Kaspanaze Simma
Editorial Article
The Two of Us
Portraits
‘Smalltown’Book and Exhibition
‘Collector’ the town Book and Exhibition
‘Snow’
Exhibition

‘Roads’Documentary Project
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Tooheys OldAdvertising Campaign
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Sydney Theatre Company Subscription Brochure
Telstra
Advertising Campaign
Bowling for ColumbineFilm Campaign
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Wagon Wheels Advertising Campaign
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Saatchi & Saatchi DM Advertising Campaign
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‘Collector’ the town Book and Exhibition
‘Snow’
Exhibition

‘Roads’Documentary Project

Tooheys OldAdvertising Campaign

Sydney Theatre Company Subscription Brochure
Telstra
Advertising Campaign
Bowling for ColumbineFilm Campaign

Wagon Wheels Advertising Campaign

Saatchi & Saatchi DM Advertising Campaign

‘Commitment leads to results, so make sure your goals are worthy.’
Mentoring - The 30-second Elevator Pitch
I mentor photographers and creatives who want clarity, confidence, and momentum in their work.
Whether you’re starting out, stuck, changing direction, or building something long-term, I help you cut through doubt, noise, and overthinking — and focus on what actually matters.
Sessions are practical, honest, and tailored to you. We can work on craft, direction, business, confidence, or long-term projects like books and exhibitions.
If you’re serious about your work and willing to show up, I’ll meet you there.
Mentoring - Longer Version, from the Heart
Sharing what I know and teaching my profession has always been something I’m deeply passionate about.
It’s been over 30 years since I first picked up a camera. I remember clearly how hard it was to begin — insecure, clueless, and unsure how anyone ever got a break. I just knew I couldn’t spend one more day working in bars and restaurants. So I persisted, trying whatever I could to move forward.
A trip through Asia — where I essentially acted as if I were a photojournalist — helped me realise this career was the right fit. But the hardest part was still ahead: the constant voice asking, Am I actually good enough for someone to pay me?
Truth is, I still hear that voice. What’s helped me push through is having mentors — people who had already done it and believed in me, even when I didn’t. A mentor is often the only thing standing between giving up and staying the course.
Doctors, musicians, even presidents and prime ministers all have mentors. But in photography, that culture has largely disappeared. Assistants are rarely hired anymore. The old meeting grounds — labs, studios, the Australian Centre for Photography — are gone. Those places where people learned, shared ideas, and cross-pollinated have vanished. So how do we connect now? Instagram?
I could list where I’ve been, who I’ve shot for, and what awards I’ve won — but I’m over that. What matters to me now is helping people realise their vision. When someone finds clarity in their work, it inspires others, and the story keeps moving forward. Good karma.
Inspiration often hits hard one day, then disappears the next — replaced by scrolling, doubt, or talking yourself out of everything you were excited about. These days they call it Adult ADHD. Honestly? I don’t know a single photographer who doesn’t live somewhere between flashes of brilliance and complete distraction.
So how do you stay steady in a sea of competition, tech overwhelm, and scroll fatigue? Especially when the people closest to you — well-meaning friends — try to talk you out of it. It won’t work. It’s too risky. AI will take your job. You can feel your confidence shrinking.
I’ve been lucky to have mentors — some great, some terrible. One moment from early in my career stuck with me. I was cold-calling photographers, offering to work for free just to learn. I was 25. One of them — I’ll call him George — told me I was too old to be an assistant and that I should have started after high school. Maybe you should stay in hospitality, he said. People always need to eat.
Well, Fuck you, George!
People like that don’t get to decide who believes in their dreams. George became my anti-mentor — the voice I worked to prove wrong. He was with me through 20 years of teaching at the Australian Centre for Photography, through months with no income, through starting over in Europe, and again in Australia.
If you choose to work with me, I’ll help you recognise the little Georges out there — and show you how to use them as fuel.
(And yes, I still have George’s number if you’d like to hear from a naysayer.)
I’m not saying you have to choose me as your mentor. I’m saying: choose someone. Don’t wait. Get it done. Life is short.
I’m based on Sydney’s North Shore (AEST / GMT+10) and happy to meet in person or online via Zoom or Google Meet.
Who do I mentor?
I believe anyone with passion and perseverance can succeed well beyond what they think is possible. My students are proof of this.
Sessions are available to people of all ages and backgrounds, including:
- High school, TAFE, or university students wanting to
understand the industry
- Assistants transitioning to shooting independently
- Business owners creating their own marketing materials
- Photography enthusiasts moving from amateur to professional
- Practicing photographers entering new markets or refining a
niche
- Employees needing practical photography skills for their
workplace
- Anyone developing an idea — a book, exhibition, or online
portfolio — they want to be proud of
I personalise all mentoring to suit your needs.
So what will you learn?
I mentor you in the areas you want to focus on. Everyone has their own voice — even in a saturated world, that voice can be refined and strengthened.
My approach is practical, but also reflective. I enjoy digging into why you’re doing what you’re doing, introducing critical thought while nurturing your passion.
Topics may include:
- Camera fundamentals, flash lighting, and balancing flash with
daylight
- Digital and analogue formats: 35mm, medium format, large
format up to 10×8
- Entering the industry through assisting
- Building a sustainable photography business
- Portfolio development for specific niches
- Creating an online presence (including Instagram)
- Marketing content for businesses
- Agent representation vs self-representation
- The psychology of portraiture and working with people
- Long-term storytelling and project development
- Editing your work — and learning what to leave out
- Directing people
- Publishing books and collaborating with authors
- Exhibitions and grant applications
- Finding and keeping clients
- Understanding the ebbs and flows of freelance life
What will your sessions look like?
After our introductory call, I may send a short questionnaire to refine our focus. Either way, we’ll hit the ground running.
The more I understand about you, the easier it is to identify what’s standing in your way — and map a clear path forward.
Availability
Freelance life means my schedule can change week to week, including occasional weekends. That said, I always make time for mentoring. We’ll work together to find a time that suits us both.
Pricing
Introductory Call — Free (10 minutes)
A no obligation call to connect, discuss your goals, and identify where support may help.
1-Hour Session — $285 + GST (Australians only)
Focused, practical guidance. A written summary and follow‑up links can be provided on request.
3 × 1-Hour Sessions — $775 + GST
Ideal for structured progress with flexibility.
5 × 1-Hour Sessions — $1275 + GST
Best for deeper exploration, accountability, and long-term clarity.
Payment is required in advance. Accepted methods: PayPal, Direct Debit, Apple Pay, or Cash (local clients).
Testimonials
My mentorship with Martin was just what I needed to kickstart the project. His feedback was honest and constructive. I committed to showing him new work every time we met, and this kept the momentum of the project going in its early stages. Martin shared with me his professional knowledge in editing, camera settings, and also in dealing with the human element. This was very valuable because his advice was spot-on and completely tailored to my project. He was able to help with the conceptual aspect of the book and also help me to think about a pathway for how to eventually publish. I got so much out of our mentoring sessions; it was during these sessions that we created the fundamental foundation from which I still work. He was absolutely amazing and I very highly recommend him.”
Ivett Dodd
After an initial rejection and her taking careful note of the feedback, Ivett has recently been awarded a government grant worth $30,000 to produce her dream book project.
Update: July 1, 2024. Ivett has received a further $42,000 Australia Council Grant to extend this project further into an exhibition.

“I met Martin through The Australian Centre for Photography and have stayed in touch wth him ever since. I highly recommend Martin as someone to work with on a long-term project. As a commercial photographer, as well as someone with a successful track record for realising long-term personal projects, Martin’s guidance is based on significant practical experience, a passion for storytelling, and a keen understanding of the importance of visual impact.”
Robert McRobbie
(Rob still works his corporate job but continues to be passionate about photography and his projects; he’s a wolf in sheep's clothing)

“I found Martin’s class on ‘Projects and Stories’ to be exactly what I needed to further my book project. The class was very informative and instructional in how to create, fund, print, and publish a personal book or gallery project. If you appreciate a straightforward approach to learning, then I can highly recommend Martin’s mentoring and classes.”
Rob Annesley.
Rob surprised himself and ended up staging an exhibition and publishing a book by obtaining a grant from his local council. It was a huge success
Update: 2022: Rob published his second book titled ‘The Underworld’ with Fuji Film, making a featurette film about his practice in making this book. He is continually travelling to work on his passion.

Martin is so giving with his advice as a mentor. He shared his experience with me openly to help me move further along in my photography practice than I ever would have on my own. His mentoring has since guided me in how I approach any photography project.”
Kwok Aun Tan
(Kwok continues to post amazing images on Instagram (#kwokaun), he produces literally tons of fine street images which anyone would be proud of producing, he doesn’t stop, and he’s constantly evolving and refining his style)

Photo by the great Barbara Poetzl
Direct Contact
Sydney, Australia
Tel: +61 (0)451 780 239
mail@martinmischkulnig.com
︎ ︎
Sydney, Australia
Tel: +61 (0)451 780 239
mail@martinmischkulnig.com
︎ ︎
Martin Mischkulnig was born in 1969 in Adelaide, South Australia, to Austrian immigrant parents. Growing up in the vast desert landscape behind his family’s outback motel instilled a lasting understanding of scale, light, and environment — foundations that continue to inform his work today.
A professional photographer since 1997, Martin specialises in premium architectural photography and motion for leading architecture practices, developers, and commercial property groups. He produces high-impact still and cinematic content designed for award submissions, marketing campaigns, editorial features, and brand positioning across print and digital platforms.
Martin holds a Master’s in Film Studies from Staffordshire University and trained at the Raindance Film School in London, enabling him to deliver fully integrated still and motion outcomes for sophisticated built-environment clients.
‘Martin Mischkulnig has a deep, respectful appreciation for the land and its people and an aptitude for noticing the beauty in the places that most would rather politely ignore. His palette, infused with a unique air and tenderness always stands true to his style and the varied personality of landscape. Martin has been exhibited widely around Australia. His books, Collector: A Photographic Collection and Smalltown entail a rare combination of strange beauty infused with a sense of nostalgia - Martin Mischkulnig's photographs transfigure ugliness into art by means of technique and love.'
A professional photographer since 1997, Martin specialises in premium architectural photography and motion for leading architecture practices, developers, and commercial property groups. He produces high-impact still and cinematic content designed for award submissions, marketing campaigns, editorial features, and brand positioning across print and digital platforms.
Martin holds a Master’s in Film Studies from Staffordshire University and trained at the Raindance Film School in London, enabling him to deliver fully integrated still and motion outcomes for sophisticated built-environment clients.
‘Martin Mischkulnig has a deep, respectful appreciation for the land and its people and an aptitude for noticing the beauty in the places that most would rather politely ignore. His palette, infused with a unique air and tenderness always stands true to his style and the varied personality of landscape. Martin has been exhibited widely around Australia. His books, Collector: A Photographic Collection and Smalltown entail a rare combination of strange beauty infused with a sense of nostalgia - Martin Mischkulnig's photographs transfigure ugliness into art by means of technique and love.'
Mark Tredinnick, Sydney Morning Herald.

